[et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”20px||0px||false|false” animation_style=”fade”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” max_height=”1000px” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/cdh.rula.info\/newsletter\/wp-content\/uploads\/sites\/5\/2020\/09\/CDH-Logo-Only-2020-Black-and-White.jpg” alt=”CDH Logo Only B\/W” title_text=”CDH Logo Only 2020 Black and White” url=”https:\/\/cdh.rula.info\/newsletter\/” align=”center” _builder_version=”4.5.3″ _module_preset=”default” height=”150px”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false”][et_pb_column type=”3_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”BioRhyme||||||||” header_text_color=”#000000″ header_letter_spacing=”1px” header_line_height=”1.1em”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” text_line_height=”1em”]<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||||false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||||false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” header_2_text_color=”#000000″ header_2_font_size=”15px” header_2_letter_spacing=”1px” header_2_line_height=”1.4em”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”-40px||||false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”BioRhyme||||||||” text_text_color=”#000000″ text_font_size=”16px” header_font=”BioRhyme||||||||” header_text_color=”#000000″ header_font_size=”31px” header_letter_spacing=”1px” header_2_font_size=”31px” header_3_font_size=”20px”]<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n
April 28<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.2em” custom_margin=”||0px||false|false”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” text_line_height=”1.4em” custom_margin=”10px||10px||false|false” custom_padding=”||0px|||”]<\/p>\n
This roundtable event brings together TMU community members and print media scholars to discuss Dr. Alison Hedley\u2019s new book <\/span><\/em>Making Pictorial Print <\/span>(U ofToronto Press, 2021<\/em>)<\/span><\/a> in relation to the field of media history.\u00a0Alison Hedley is a TMU\u00a0<\/span>Communication & Culture<\/span><\/a>\u00a0alumna and CDH Associate Research Fellow.<\/span><\/i><\/span><\/em><\/p>\n Becoming the first mass media, magazines and newspapers dominated the Victorian cultural landscape but were displaced by mechanical media in the early twentieth century. In <\/span><\/em>Making Pictorial Print<\/span>,\u00a0Dr. Hedley argues that during the years of this transition, illustrated magazines embodied popular culture\u2019s aesthetic transformation and evolving terms of audience engagement. Remaining vital to cultural life, pictorial magazines helped shape the media cultures of the twentieth and twenty-first centuries.<\/span><\/i><\/span><\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” text_line_height=”1.4em” custom_margin=”35px||||false|false”]Roundtable participants include: Dr. Hedley; Dr. Lorraine\u00a0Janzen\u00a0Kooistra, Professor Emeritus, CDH Senior Research Fellow and Director Emeritus; Dr. James Mussell, Associate Professor and Director of the Centre for the Comparative History of Print (University of Leeds); Dr. Paul Moore, Professor and Director, Arts & Contemporary Studies, and Alison Skyrme, Special Collections Librarian.<\/span><\/em>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||0px||true|false” animation_style=”fade”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||-20px||false|false” custom_padding=”||0px||false|false” custom_css_main_element=”|||| ||” border_radii=”off||||” border_width_all=”2px” border_width_right=”0px” border_width_bottom=”0px” border_width_left=”0px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||40px||false|false” custom_padding=”0px||0px||false|false”][et_pb_column type=”3_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_text_color=”#000000″]<\/p>\n In Winter 2022, in place of the drop-in hours it holds at its space in Toronto Metropolitan University Library, the Centre for Digital Humanities (CDH) will be holding weekly virtual drop-in sessions on Wednesdays from Noon-1 pm (usually on Zoom). These are intended as casual, learning opportunities that bring together the DH community beyond during COVID-19 restrictions.<\/span><\/p>\n Join us!<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_toggle title=”More About Weekly Themes” _builder_version=”4.5.3″ _module_preset=”default” title_level=”h3″ title_font=”|600|||||||” title_font_size=”16px” body_text_color=”#000000″ text_orientation=”center”]<\/p>\n Each week in a month will be dedicated to a specific theme. The first week, <\/span>Stories in Play: Let\u2019s Try<\/span><\/i>, will consist of a led, shared exploration of a work of electronic literature (eLit) or a narrative-driven digital game. Week 2, <\/span>DH Workbench<\/span><\/i>, will be a led, shared exploration of a digital resource or tool for research and\/or pedagogy. Week 3, <\/span>DH@TMU Reads<\/span><\/i>, will be an open discussion of a selected work of DH scholarship, read in advance of the drop-in. The fourth week, Critical Code Studies<\/i>, will explore how coding\/programming can be studied in the humanities.<\/span><\/p>\n Join us!<\/span><\/p>\n [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_2″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||10px||false|false”][et_pb_column type=”1_4″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px|-200px|false|false” custom_padding=”0px||0px||false|false”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”BioRhyme||||||||” text_font_size=”16px” header_2_font_size=”31px” header_3_font_size=”20px”]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]<\/p>\n CRITICAL CODE STUDIES<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n April 6<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”10px||20px||false|false”]<\/p>\n Host: Jason Boyd<\/p>\n Join Jason for a discussion of novelist and programmer Chandra\u2019s fascinating chapter on Sanskrit, programming languages, and poetry.<\/span><\/em><\/p>\n Read a pdf of the chapter.<\/span><\/em><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_2″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||10px||false|false”][et_pb_column type=”1_4″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”|||-200px|false|false”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]<\/p>\n DH@TMU READS<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n April 13<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false” custom_padding=”||0px|||”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.4em” custom_margin=”10px||20px||false|false”]<\/p>\n Hosts: Jason Boyd\u00a0and Nanditha Narayanamoorthy<\/span><\/p>\n Join Jason and Nanditha for a discussion of her essay exploring how Indian queer dissident subaltern counterpublics have combatted postcolonial and Victorian discourses around sexuality using social media.<\/span><\/em><\/p>\n Read the article on the <\/i>Digital Studies website.<\/i><\/a><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_2″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false”][et_pb_column type=”1_4″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”|||-200px|false|false” custom_padding=”||10px||false|false”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]<\/p>\n FABULUDUS 2022<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n April 14 \u2014 20<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false” custom_padding=”||0px|||”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.4em” custom_margin=”10px||20px||false|false”]<\/p>\n Host: Jason Boyd<\/p>\n From April 14 to April 20, visit the <\/a><\/span><\/em>Fabuludus 2022<\/span><\/a> game jam page<\/a> <\/span>\u00a0to check out the playable stories by students in \u201cNarrative in a Digital Age\u201d (ENG921)…<\/span><\/em><\/p>\n …then join us on the 20th at noon for a celebration of the playable stories and the presentation of awards!<\/span><\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” animation_style=”fade”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_signup mailchimp_list=”ryersoncdh|f705efa9b1″ title=”Join Our Mailing List” button_text=”Subscribe to List” description=”<\/p>\n If you are not already receiving our monthly program announcement, but would like to, please subscribe.<\/p>\n ” _builder_version=”4.5.3″ _module_preset=”default” form_field_text_color=”#000000″ header_text_color=”#000000″ body_text_color=”#000000″ result_message_text_color=”#000000″ background_color=”#ededed” custom_button=”on” button_text_color=”#000000″ background_layout=”light” border_radii=”on|10px|10px|10px|10px”][\/et_pb_signup][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”20px||0px||false|false” animation_style=”fade”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” max_height=”1000px” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/cdh.rula.info\/newsletter\/wp-content\/uploads\/sites\/5\/2020\/09\/CDH-Logo-Only-2020-Black-and-White.jpg” alt=”CDH Logo Only B\/W” title_text=”CDH Logo Only 2020 Black and White” url=”https:\/\/cdh.rula.info\/newsletter\/” align=”center” _builder_version=”4.5.3″ _module_preset=”default” height=”150px”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false”][et_pb_column type=”3_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”BioRhyme||||||||” header_text_color=”#000000″ header_letter_spacing=”1px” header_line_height=”1.1em”] Toronto Metropolitan University […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17,4],"tags":[],"class_list":["post-1134","page","type-page","status-publish","hentry","category-17","category-events"],"_links":{"self":[{"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/pages\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":25,"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/pages\/1134\/revisions"}],"predecessor-version":[{"id":1173,"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/pages\/1134\/revisions\/1173"}],"wp:attachment":[{"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cdh.rula.info\/newsletter\/wp-json\/wp\/v2\/tags?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nCDH Virtual<\/h2>\n
Drop-Ins<\/h2>\n
Wednesdays Noon-1 pm EST<\/h3>\n
\u201cThe Code of Beauty: Anandavardhana,\u201d Chapter 5 (pp. 84-100) of Vikram Chandra\u2019s Geek Sublime<\/i> (Greywolf Press, 2014)<\/span><\/h2>\n
\nNanditha Narayanamoorthy,<\/span> \u201cDigital Queer: Tracing the Digital Discourse around Section 377 of the Indian Penal Code.\u201d (2020)<\/span><\/h2>\n
\nPlayable Story Arcade and Awards Ceremony<\/h2>\n