[et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”20px||0px||false|false” animation_style=”fade”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”-20px||0px||false|false” custom_padding=”||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/cdh.rula.info\/newsletter\/wp-content\/uploads\/sites\/5\/2020\/09\/CDH-Logo-Only-2020-Black-and-White.jpg” alt=”CDH Logo Only B\/W” title_text=”CDH Logo Only 2020 Black and White” url=”https:\/\/cdh.rula.info\/newsletter\/” show_bottom_space=”off” align=”center” _builder_version=”4.5.3″ _module_preset=”default” module_alignment=”center” height=”200px” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#e02b20″ text_font_size=”26px” header_font=”BioRhyme||||||||” header_text_color=”#000000″ header_letter_spacing=”1px” header_line_height=”1.1em” custom_padding=”30px||||false|false”]<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px|0px|0px||true|false” animation_style=”fade”][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” text_line_height=”1em” custom_margin=”0px||10px||false|false” custom_padding=”||||false|false”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_text_color=”#000000″ text_line_height=”1.5em” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false”]<\/p>\n
Currently, the Centre for Digital Humanities (CDH) is between spaces, and will hopefully have its own space in the Library building (LIB) soon. In the meantime, for Winter 2024, the CDH will be holding some of its events virtually (on Zoom) and some in-person at the TMU Library. Some events may be hybrid.<\/span><\/p>\n Join us!<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||20px||false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||-20px||false|false” custom_padding=”||0px||false|false” custom_css_main_element=”|||| ||” border_radii=”off||||” border_width_all=”2px” border_width_right=”0px” border_width_bottom=”0px” border_width_left=”0px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”BioRhyme||||||||” text_text_color=”#000000″ text_font_size=”16px” header_font=”BioRhyme||||||||” header_text_color=”#000000″ header_font_size=”31px” header_letter_spacing=”1px” header_2_font_size=”31px” header_2_line_height=”0.7em” header_3_font_size=”20px” header_3_line_height=”1.3em”]<\/p>\n <\/span><\/p>\n 1pm-2:30pm EST<\/span> [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_text_color=”#000000″ text_line_height=”1.5em” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false”]<\/p>\n These workshops, offered by Centre for Digital Humanities and the <\/span>TMU Libraries Collaboratory<\/span><\/a>, generally consist of two sessions totalling 4-5 hours and can be counted towards the <\/span>Canadian Certificate in Digital Humanities\/humanit\u00e9s num\u00e9riques <\/span><\/i>(ccDH\/HN<\/a><\/span>). <\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”30px||0px|0px|false|false” custom_padding=”0px||||false|false” border_width_bottom=”2px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”10px||||false|false” custom_padding=”0px||10px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”0px||10px||false|false”]Friday February 16 [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” text_line_height=”1.4em” custom_margin=”10px||0px||false|false” custom_padding=”||0px|||”]<\/p>\n Instructor: Michael Carter-Arlt, Immersive Technology Specialist, Toronto Metropolitan University Libraries <\/span><\/p>\n Have you ever wished you could stand in and study an imaginary or long-vanished space–from a work of literature or from a distant period in history, or perhaps a virtual creation of a famous thought experiment or a speculative model of something that doesn’t exist in the real world? 3D visualization can grant that wish.<\/span><\/p>\n This in-person workshop<\/strong> will provide an overview of 3D visualization using specific XR (Extended Reality) technologies, in addition to development tips in the Unity Game Engine. Participants will get hands-on demos with various XR technologies including the Looking Glass Volumetric Display, Quest 2, and various AR applications. In addition, participants will also get the opportunity to view 3D simulations in the TMU Library Immersion Studio, which is a 360 degree projection cylinder for shared VR experiences. Development tips will also be provided for each showcased technology. This workshop is aimed to help participants gain more exposure with XR technology and 3D visualization for education and research, and does not require any prior 3D development knowledge to attend the workshop.<\/span><\/p>\n Limited to 20 participants.<\/strong><\/p>\n This 1.5 hour course can be counted towards the Canadian Certificate in Digital Humanities\/<\/span><\/i>humanit\u00e9s num\u00e9riques. More information at: <\/span><\/i>https:\/\/ccdhhn.ca\/<\/span><\/i><\/a>. <\/span><\/i><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”||0px||false|false” border_width_bottom=”2px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”BioRhyme||||||||” text_font_size=”16px” header_2_font_size=”31px” header_2_line_height=”0.75em” header_3_font_size=”20px”]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_text_color=”#000000″ text_line_height=”1.5em” custom_padding=”||20px||false|false”]<\/p>\n Each month, weekly drop-ins will be dedicated to a specific theme.\u00a0Tiny Tools Tour<\/span>\u00a0\/\u00a0DH Workbench<\/span><\/i>\u00a0are explorations of a digital resource or tool for research, creativity, and\/or pedagogy.\u00a0Unarchived<\/i><\/span>\u00a0is a monthly podcast associated with the\u00a0Playable Stories Archive<\/i><\/a>\u00a0focused on discussing storytelling games.\u00a0Critical Code Studies<\/i><\/span>\u00a0discusses coding\/programming from a critical perspective informed by the humanities.\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”0px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px|0px|false|false” custom_padding=”0px||||false|false” border_width_bottom=”2px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]<\/p>\n DH WORKBENCH<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n Tuesday February 6 [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false” custom_padding=”||0px|||”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.4em” custom_margin=”10px||0px||false|false” custom_padding=”||0px||false|false”]<\/p>\n Presenter: Reg Beatty “The model we have created is experimental. It moves design\u2014information design, graphics, typography, formal and rhetorical patterning\u2014to the center of the research questions that it poses. It understands digital and physical making as inextricably and productively intertwined.” <\/span><\/em>\u2013from DIGITAL_HUMANITIES (<\/em>2012)<\/span> Join Reg as he looks at three of his books through a digital humanities lens.<\/span><\/p>\n You can preview the books here:<\/em><\/a><\/p>\n Souvenir <\/em><\/a>(2014) [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”10px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||||false|false” border_width_bottom=”2px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_padding=”0px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]<\/p>\n CRITICAL CODE STUDIES<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n Tuesday February 13 [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false” custom_padding=”||0px|||”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.4em” custom_margin=”10px||0px||false|false” custom_padding=”||0px||false|false”]Hosts: Francois Lachance and Jason Boyd<\/span><\/p>\n Join us for a discussion of Katherine Yang\u2019s Coem<\/i><\/a> \u201can esoteric programming language that seeks to explore ways that poetry can be made purposeful, and ways that code can be made emotional.\u201d<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”10px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||||false|false” border_width_bottom=”2px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||10px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]UNARCHIVED<\/em> PODCAST[\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n Monday February 26 \/ Noon EST<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false” custom_padding=”||0px|||”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.4em” custom_margin=”10px||0px||false|false”]<\/p>\n Season 2, Episode 5 of the Playable Stories Archive: Unarchived<\/i> podcast<\/a>:<\/span><\/p>\n “In this world, it’s kill or be killed.” So says the first character the player encounters in the Underground in the role-playing game, <\/span>Undertale<\/span><\/i><\/a>. But the player\u2019s options turn out to be not so starkly simple. The <\/span>Unarchived<\/span><\/i> crew will excavate thoughts and theories on narrative, compassion, genre, game mechanics, equity, and fandom that arise from exploring the depths of developer Toby Fox\u2019s breakout title.\u00a0<\/span><\/p>\n On February 27th, join members of the <\/span>Playable Stories Archive: Unarchived<\/span><\/i> podcast collective for a roundtable to discuss the episode!<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_button button_url=”https:\/\/storiesinplay.com\/unarchived-podcast\/” button_text=”Listen Here” button_alignment=”center” _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”||5px||false|false”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”20px||20px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px||false|false” border_width_bottom=”2px”][\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.5.3″ _module_preset=”default” custom_margin=”0px||20px||false|false” custom_padding=”0px||0px||false|false”][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#ffffff” text_font_size=”16px” text_letter_spacing=”0.2px” background_color=”#000000″ custom_margin=”||10px||false|false” custom_padding=”5px|10px|5px|10px|true|true”]<\/p>\n UNARCHIVED<\/em> ROUNDTABLE<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” custom_margin=”||10px||false|false”]<\/p>\n Tuesday February 27 [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro|600|||||||” text_text_color=”#e02b20″ text_font_size=”21px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.1em” custom_margin=”||0px||false|false” custom_padding=”||0px|||”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.4em” custom_margin=”10px||20px||false|false”]<\/p>\n Join members of the <\/span>Playable Stories Archive<\/a>: Unarchived<\/span><\/i> podcast collective to discuss the fifth episode of Season 2 on <\/span>Undertale<\/span><\/i> (Toby Fox, 2015).<\/span><\/p>\nDH Certificate<\/h2>\n
Workshops<\/h2>\n
In-Person format <\/span><\/p>\n<\/h3>\n
\n1pm-2:30pm EST[\/et_pb_text][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Source Sans Pro||||||||” text_text_color=”#000000″ text_font_size=”16px” header_2_font=”Source Sans Pro|600|||||||” header_2_text_color=”#eb0000″ header_2_font_size=”20px” header_2_line_height=”1.2em” custom_margin=”||0px||false|false”]<\/p>\n3D Visualization With XR Technology<\/h2>\n
CDH Virtual<\/h2>\n
Drop-Ins
on Zoom<\/span><\/h2>\n
Noon-1:00pm EST<\/p>\n3 Books
<\/em><\/h2>\n
<\/span><\/p>\n
<\/span><\/em><\/p>\n
Elements of Ruskin <\/em><\/a>(with Lorraine Janzen Kooistra, 2014)
A Riot of Type <\/em><\/a>(with Emma Fraschetti, Lorraine Janzen Kooistra, and Rebecca Martin, 2019)<\/p>\n
Noon-1:00pm EST<\/p>\nCoem<\/i>, a poetic programming language
<\/em><\/h2>\n<\/em>Undertale<\/i> (Toby Fox, 2015)<\/span>
<\/span><\/h2>\n
Noon-1:00pm EST<\/p>\nRoundtable on Undertale<\/i> podcast<\/h2>\n