{"id":365,"date":"2024-02-26T19:44:28","date_gmt":"2024-02-26T19:44:28","guid":{"rendered":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/?page_id=365"},"modified":"2025-03-31T17:12:22","modified_gmt":"2025-03-31T17:12:22","slug":"immersive-experience-v1","status":"publish","type":"page","link":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/immersive-experience-v1\/","title":{"rendered":"Immersive Experience v1"},"content":{"rendered":"\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading alignfull has-text-align-center\">The Gallery Remediated and Revived<\/h1>\n\n\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"960\" style=\"aspect-ratio: 880 \/ 960;\" width=\"880\" autoplay controls loop src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Amphitheatre_V03.mov\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"--col-width:43%;flex-basis:43%\">\n<figure class=\"wp-block-gallery has-nested-images columns-1 is-cropped is-style-tw-img-rounded tw-img-ratio-3-2 wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"971\" data-id=\"720\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Watercolor-View-1024x971.png\" alt=\"\" class=\"wp-image-720\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Watercolor-View-1024x971.png 1024w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Watercolor-View-300x284.png 300w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Watercolor-View-768x728.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Watercolor-View.png 1215w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" data-id=\"826\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-1024x1024.jpg\" alt=\"\" class=\"wp-image-826\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-1024x1024.jpg 1024w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-300x300.jpg 300w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-150x150.jpg 150w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-768x768.jpg 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-1536x1536.jpg 1536w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-2048x2048.jpg 2048w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/84-Amphitheatre-edited-1568x1568.jpg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>A picture is worth a thousand words, but they are always someone else&#8217;s, and we can never fully \u2018inhabit\u2019 them. The watercolours created by Williams and Bartlett offer enticing representations of Hope\u2019s Theatre of the Arts, along with other views of his country house, the Deepdene, but their inherently static nature makes them insufficient for grasping the full effect of this space. Hope\u2019s gallery hinges on the playful inversion of the audience and \u2018performance\u2019 as traditionally seen in Greek amphitheatres: without the vaguely uncanny feeling brought on by the viewer finding themselves centre-stage, while the art surveys them from the \u201cstands,\u201d a significant part of this experience is lost. We (see below) sought to remediate not just the gallery itself with renewed interest and consideration, but to explore how we can use digital technology to create opportunities to re-inhabit historic gallery spaces that no longer exist.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-full is-style-tw-rounded-corners\" id=\"enter-the-gallery\"><a href=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/3d-model-viewer-v1\/\"><img loading=\"lazy\" decoding=\"async\" width=\"4480\" height=\"2520\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4.png\" alt=\"\" class=\"wp-image-717\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4.png 4480w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4-300x169.png 300w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4-1024x576.png 1024w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4-768x432.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4-1536x864.png 1536w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/04\/Screenshot-2024-04-03-at-3.37.58\u202fPM-4-2048x1152.png 2048w\" sizes=\"auto, (max-width: 4480px) 100vw, 4480px\" \/><\/a><figcaption class=\"wp-element-caption\">Click this image to enter a 360-degree rendition of the Theatre of the Arts.<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>The malleable 3D digital model of the Theatre of the Arts was built from the ground up by Toronto Metropolitan University (TMU) architecture students, Liam Roberts and Alex Tran, using Rhinoceros to create polygonal structures and Vray as finishing software. The Theatre presented unique complications for the modeling process. In the absence of formal orthographic drawings, and thus having to work from watercolours that \u201cexaggerated the space to an unrealistic extent,\u201d they had to walk a fine line between conventional architectural modality and artistic discernment. Furthermore, as they observed, \u201cornament and detail are lost in contemporary architectural works, so embracing and capturing the small details of a space that would not be designed [today],\u201d without the benefit of those orthographic drawings, exacerbated these challenges.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-4 is-cropped is-style-tw-img-rounded tw-img-ratio-1-1 wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1024\" data-id=\"652\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Aphrodite-788x1024.png\" alt=\"\" class=\"wp-image-652\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Aphrodite-788x1024.png 788w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Aphrodite-231x300.png 231w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Aphrodite-768x998.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Aphrodite.png 823w\" sizes=\"auto, (max-width: 788px) 100vw, 788px\" \/><figcaption class=\"wp-element-caption\">Large statues proved challenging due to the computational demand that comes with rendering so many polygons.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-style-tw-rounded-corners\"><img loading=\"lazy\" decoding=\"async\" width=\"823\" height=\"1024\" data-id=\"653\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Foliage-823x1024.png\" alt=\"\" class=\"wp-image-653\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Foliage-823x1024.png 823w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Foliage-241x300.png 241w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Foliage-768x956.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Foliage.png 871w\" sizes=\"auto, (max-width: 823px) 100vw, 823px\" \/><figcaption class=\"wp-element-caption\">The foliage in Williams&#8217;s painting is beautiful but vague, and required artistic license on the designers&#8217; part to decide what plants should be present.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"1024\" data-id=\"655\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Lucius-Verus-688x1024.png\" alt=\"\" class=\"wp-image-655\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Lucius-Verus-688x1024.png 688w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Lucius-Verus-202x300.png 202w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Lucius-Verus-768x1143.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Lucius-Verus.png 774w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><figcaption class=\"wp-element-caption\">Smaller, more detailed busts were not only tough to render, but also required more precision due to their smaller scale.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"1024\" data-id=\"656\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Door-730x1024.png\" alt=\"\" class=\"wp-image-656\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Door-730x1024.png 730w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Door-214x300.png 214w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Door-768x1077.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/03\/Door.png 802w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><figcaption class=\"wp-element-caption\">Architectural details, like the bars on this door, were exaggerated and unrealistic in the watercolours; the designers had to adapt them accordingly.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>However, like any task worth undertaking, those difficulties proved not just fruitful for team members but the project and medium as well. The original watercolours of the Theatre of the Arts are brilliant in their own right, but they only \u201ccapture a single frame,\u201d as Liam explained to the team. The new 360\u00b0 model offers a more comprehensive, enveloping depiction that preserves the critical aspect of Hope\u2019s gallery and the collections it contained, enabling the viewer to stand where Hope and his guests once stood, and to look around a space in which the human body is dramatically confronted by its inert counterparts: by row upon row of full-sized statues, busts and cineraria. The 3D modelling of these artifacts takes some liberties with placement, and includes some that were in fact positioned in other locations, since our priority was to capture the unique spatial features of the gallery, and its surrounding environment, as a whole. To this end, our project builds (no pun intended) on other terrific digital recreations of Romantic-era exhibition spaces and\/or their contents, such as&nbsp;<a href=\"https:\/\/www.whatjanesaw.org\/\">What Jane Saw<\/a>, and REVE\u2019s \u201c<a href=\"https:\/\/artspaces.kunstmatrix.com\/en\/exhibition\/9195720\/romanticism-in-45-objects\">Romanticism in 45 Objects<\/a>,\u201d in which the physical space itself plays a more secondary or instrumental role. It is also a fruitful extension of an earlier project, <a href=\"https:\/\/romantic-circles.org\/index.php\/gallery\/exhibit\/inside-out-representing-romantic-museum\">Inside Out: Representing the Romantic Museum<\/a>, an exhibition of museum interiors for the Romantic Circles Gallery, where the intention was to explore what two-dimensional representations can teach us about the visual languages and conventions of museum and exhibition culture in the Romantic period.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">About Us<\/h2>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left\">Funded by the Social Science and Humanities Research Council of Canada, \u201cThe Theatre of the Arts: Thomas Hope\u2019s Visionary Gallery\u201d is a project led by <a href=\"https:\/\/www.torontomu.ca\/english\/about-us\/faculty-and-staff\/faculty\/thomas-sophie\/\">Sophie Thomas<\/a> (Department of English, TMU) and Noah Pedinelli (MA Program in Literatures of Modernity, TMU). We would like to thank TMU colleagues Reg Beatty and the <a href=\"https:\/\/www.torontomu.ca\/centre-digital-humanities\/\">Centre for Digital Humanities<\/a>, Vincent Hui (<a href=\"https:\/\/www.torontomu.ca\/architectural-science\/people\/faculty\/vincent-hui\/\">Department of Architectural Science<\/a>), and Micheal Carter-Arlt (Immersive Technology Specialist, <a href=\"https:\/\/library.torontomu.ca\/services\/facilities\/immersion\/\">TMU Library<\/a>), for their invaluable support and advice. We are deeply indebted to Liam and Alex for their brilliant work on the 3D model, which as they say, helped them learn to \u201cfeel\u201d a space rather than \u201cdesign\u201d one.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group alignwide is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-9817af40 wp-block-group-is-layout-flex\" style=\"padding-right:0;padding-left:0\">\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"82\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/SSHRC-CRSH_FIP-300x82.png\" alt=\"\" class=\"wp-image-843\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/SSHRC-CRSH_FIP-300x82.png 300w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/SSHRC-CRSH_FIP-1024x278.png 1024w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/SSHRC-CRSH_FIP-768x209.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/SSHRC-CRSH_FIP.png 1199w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-thumbnail\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/CDH-Logo-no-background-150x150.png\" alt=\"\" class=\"wp-image-828\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"86\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-300x86.png\" alt=\"\" class=\"wp-image-829\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-300x86.png 300w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-1024x294.png 1024w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-768x220.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-1536x440.png 1536w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-2048x587.png 2048w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-FA-English-rgb-1568x450.png 1568w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"132\" src=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-300x132.png\" alt=\"\" class=\"wp-image-830\" srcset=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-300x132.png 300w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-1024x449.png 1024w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-768x337.png 768w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-1536x674.png 1536w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-2048x898.png 2048w, https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-content\/uploads\/sites\/9\/2024\/07\/TMU-Libraries-cmyk-new2_transparent_FINAL-1568x688.png 1568w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Gallery Remediated and Revived A picture is worth a thousand words, but they are always someone else&#8217;s, and we can never fully \u2018inhabit\u2019 them. The watercolours created by Williams and Bartlett offer enticing representations of Hope\u2019s Theatre of the Arts, along with other views of his country house, the Deepdene, but their inherently static&hellip; <a class=\"more-link\" href=\"https:\/\/cdh.rula.info\/theatre-of-the-arts\/immersive-experience-v1\/\">Continue reading <span class=\"screen-reader-text\">Immersive Experience v1<\/span><\/a><\/p>\n","protected":false},"author":257,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tw-no-title.php","meta":{"footnotes":""},"class_list":["post-365","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/pages\/365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/users\/257"}],"replies":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/comments?post=365"}],"version-history":[{"count":45,"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/pages\/365\/revisions"}],"predecessor-version":[{"id":1070,"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/pages\/365\/revisions\/1070"}],"wp:attachment":[{"href":"https:\/\/cdh.rula.info\/theatre-of-the-arts\/wp-json\/wp\/v2\/media?parent=365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}