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Members of the Y90s Research Team have published on various topics relating to their work on the <\/span>Yellow Nineties <\/span><\/i>project. The selected sources below explore topics relating to feminist digital humanities, fin-de-si\u00e8cle queer culture, women designers and arts-and-crafts practices, and the complex relationships between historic print culture and digital media.\u00a0<\/span><\/p>\n Hedley, Alison, and Lorraine Janzen Kooistra. \u201cPrototyping Personography for <\/span>The Yellow\u00a0<\/span><\/i>Nineties Online<\/span><\/i>: Queering and Querying History in the Digital Age.\u201d <\/span>Bodies of Information: Intersectional Feminist Digital Humanities, <\/span><\/i>edited by Elizabeth Losh and Jacqueline Wernimont, Debates in the Digital Humanities Series, University of Minnesota Press, pp. 157-72.<\/span><\/p>\n King, Frederick. \u201cThe Decadent Archive and the Long History of New Media.\u201d <\/span>Victorian Periodicals Review, <\/span><\/i>vol. 49. No. 4, Winter 2016, pp. 643-663.<\/span><\/p>\n Kooistra, Lorraine Janzen and Marion Tempest Grant. \u201cWorking Against \u2018that thunderous clamor of the steam press\u2019: Pamela Colman Smith and the Art of Hand-coloured Illustration.\u201d <\/span>Nineteenth-Century Women Illustrators and Cartoonists, <\/span><\/i>edited by Joanna Devereaux, Manchester University Press, 2023, pp. 251-67.<\/span><\/p>\n Kooistra, Lorraine Janzen. <\/span>Yellow Nineties 2.0, <\/span><\/i>forthcoming in the Digital Scholarship section of the <\/span>Victorians Institute Journal, <\/span><\/i>fall 2024.<\/span><\/p>\n \u2014.\u00a0 \u201cThe Little Magazine and\/in Media History.\u201d <\/span>Cambridge Companion to Literature in Transition: The 1890s, <\/span><\/i>edited by Kristin Mahoney and Dustin Friedman, Cambridge University Press, 2023, pp. 305-327.\u00a0<\/span><\/p>\n \u2014. \u201cThe Cosmopolitan <\/span>Evergreen <\/span><\/i>and the Global Digital.\u201d Special Issue on <\/span>Scottish Cosmopolitanism at the Fin de Si\u00e8cle<\/span><\/i>, edited by Mathew Creasy and Michael Shaw, <\/span>Studies in Scottish Literature<\/span><\/i>, vol. 48, no. 1, pp. 93-107.<\/span><\/p>\n \u2014. \u201cFundamental Sympathy: The Gothic, the Fin-de-Si\u00e8cle Printing Revival, and the Digital.\u201d <\/span>Journal of William Morris Studies. <\/span><\/i>Special Issue on the 130<\/span>th<\/span> Anniversary of the Kelmscott Press, vol. 24, no. 1, 2020-2021, pp. 6-22.<\/span><\/p>\n \u2014. \u201cReconstruire les R\u00e9seaux Historiques de la Circulation des Imprim\u00e9s \u00e0 l\u2019\u00e8re Num\u00e9rique\u00a0: <\/span>The Yellow Nineties Online<\/span><\/i> et les P\u00e9riodiques Esth\u00e8tes Fin-de-Si\u00e8cles.\u201d [Rebuilding Historical Networks of Print Circulation in the Digital Age: <\/span>The Yellow Nineties Online<\/span><\/i> and Fin-de-Si\u00e8cle Aesthetic Periodicals], translated by \u00c9vangh\u00e9lia Stead<\/span>. Europe des revues II<\/span><\/i>, edited by H\u00e9l\u00e8ne V\u00e9drine and \u00c9vangh\u00e9lia Stead, Les Presses de l’Universit\u00e9 Paris-Sorbonne (PUPS), pp. 803-23.\u00a0<\/span><\/p>\n \u2014. \u201cThe Politics of Ornament: Remediation and\/in <\/span>The Evergreen.\u201d English Studies in Canada<\/span><\/i>, vol.<\/span> 41, no.1, pp. 105-28.<\/span><\/p>\n Martin, Rebecca. \u201cTracing the Printed Page Online: Letterpress, Digital Markup and the\u00a0<\/span>Process of Remediating <\/span>The Evergreen<\/span><\/i> for <\/span>Yellow Nineties 2.0<\/span><\/i>.\u201d Essays on our Process, <\/span>Yellow Nineties 2.0, <\/span><\/i>2019, <\/span>https:\/\/1890s.ca\/essay_martin_evergreen_tracing\/<\/span><\/a><\/p>\n <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/cdh.rula.info\/y90s-launch\/wp-content\/uploads\/sites\/10\/2024\/03\/GSV5-colman-smith-lyceum-illustration-p9-bookmark.jpg” title_text=”GSV5-colman-smith-lyceum-illustration-p9-bookmark” align=”center” show_bottom_space_last_edited=”off|desktop” _builder_version=”4.5.3″ _module_preset=”default” width=”100%” max_width=”100%” min_height_tablet=”” min_height_phone=”” min_height_last_edited=”on|desktop” height=”650px” max_height_tablet=”” max_height_phone=”” max_height_last_edited=”on|phone” custom_margin=”0px||||false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”|10px||10px|false|false” custom_padding_tablet=”” custom_padding_phone=”|40px||40px|false|false” custom_padding_last_edited=”on|phone” hover_transition_duration=”650ms” hover_transition_delay=”50ms” hover_transition_speed_curve=”ease-in” custom_margin__hover_enabled=”off|desktop”][\/et_pb_image][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Alegreya||||||||” text_font_size=”14px” text_line_height=”1.4em” module_alignment=”center” custom_padding=”|10px||10px|false|false”]<\/p>\n Detail: Pamela Colman Smith, Illustration<\/a> for \u201cThe Lament of the Lyceum Rat,\u201d by Mary Brown, <\/em><\/a>The Green Sheaf<\/em>, No. 5. 1903.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” background_color=”#F9F6EE” z_index=”60″ width=”100%” module_alignment=”center” min_height=”18.1px” custom_margin=”||0px||false|false” custom_padding=”0px||0px||false|false” border_color_all=”#ffffff”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” background_color=”#6b3535″ width=”100%” max_width=”100%” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”5px|0px|5px|0px|false|false” 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[…]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-blank.php","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-402","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/pages\/402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/comments?post=402"}],"version-history":[{"count":9,"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/pages\/402\/revisions"}],"predecessor-version":[{"id":620,"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/pages\/402\/revisions\/620"}],"wp:attachment":[{"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/media?parent=402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/categories?post=402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cdh.rula.info\/y90s-launch\/wp-json\/wp\/v2\/tags?post=402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}