{"id":564,"date":"2024-03-22T18:54:10","date_gmt":"2024-03-22T18:54:10","guid":{"rendered":"https:\/\/cdh.rula.info\/y90s-launch\/?page_id=564"},"modified":"2024-04-03T01:00:45","modified_gmt":"2024-04-03T01:00:45","slug":"y90s-research-creation","status":"publish","type":"page","link":"https:\/\/cdh.rula.info\/y90s-launch\/y90s-research-creation\/","title":{"rendered":"Y90s Research Creation"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” background_color=”#F9F6EE” z_index=”60″ width=”100%” module_alignment=”center” min_height=”18.1px” custom_margin=”||0px||false|false” custom_padding=”0px||0px||false|false” border_color_all=”#ffffff”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” background_color=”#6b3535″ width=”100%” max_width=”100%” max_width_last_edited=”off|desktop” module_alignment=”center” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”5px|0px|5px|0px|false|false” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|desktop” border_color_all=”rgba(0,0,0,0)” border_color_bottom=”#b3b3b3″][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_menu menu_style=”centered” dropdown_menu_bg_color=”#ffffff” dropdown_menu_line_color=”#ffffff” dropdown_menu_text_color=”#000000″ dropdown_menu_active_link_color=”#0c71c3″ mobile_menu_bg_color=”#ffffff” mobile_menu_text_color=”#000000″ _builder_version=”4.5.3″ _module_preset=”default” menu_font=”Alegreya Sans SC||||||||” menu_text_color=”#ffffff” menu_font_size=”15px” menu_letter_spacing=”1px” background_color=”#6b3535″ width=”100%” module_alignment=”right” overflow-x=”visible” overflow-y=”visible” custom_margin=”|0px||0px|false|false” custom_padding=”|||0px|false|false”][\/et_pb_menu][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” background_color=”#f9efd1″ width=”100%” module_alignment=”center” min_height=”142.4px” custom_margin=”||0px||false|false” custom_padding=”0px||0px||false|false” border_color_all=”#ffffff” box_shadow_style=”preset3″ box_shadow_spread=”-19px”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” background_color=”rgba(0,0,0,0)” width=”60%” custom_margin=”||0px||false|false” custom_padding=”||10px||false|false” border_color_bottom=”#000000″ border_style_bottom=”double”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_text_color=”#5b8500″ text_font_size=”30px” header_font=”Alegreya||||||||” header_text_color=”#000000″ header_font_size=”40px” header_2_font=”Alegreya Sans SC||||||||” header_2_text_color=”#5b8500″ header_2_font_size=”22px” header_2_letter_spacing=”0.5px” header_2_line_height=”1.2em” width=”100%” custom_margin=”|||0px|false|false” custom_padding=”10px|10px||10px|false|false” link_option_url=”https:\/\/cdh.rula.info\/y90s-launch\/” header_font_tablet=”” header_font_phone=”” header_font_last_edited=”on|tablet” header_font_size_tablet=”34px” header_font_size_phone=”37px” header_font_size_last_edited=”on|phone” header_2_font_tablet=”” header_2_font_phone=”” header_2_font_last_edited=”on|phone”]<\/p>\n

Launching Yellow Nineties 2.0<\/h1>\n

A SYMPOSIUM & CELEBRATION<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default” background_color=”#ededed” width=”100%” module_alignment=”center” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” animation_style=”fade” hover_transition_duration=”2000ms” hover_transition_speed_curve=”linear” border_color_all=”#ffffff”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” width=”60%” width_tablet=”75%” width_phone=”75%” width_last_edited=”on|desktop” custom_padding=”40px||0px|0px|false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” header_font=”Alegreya||||||||” header_2_font=”Alegreya||||||||” header_2_font_size=”24px”]<\/p>\n

\u2766<\/span> Y90s Research Creation
<\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default” width=”60%” width_tablet=”75%” width_phone=”75%” width_last_edited=”on|desktop” custom_padding=”10px|30px|10px|25px|false|false”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Alegreya|500|||||||” text_text_color=”#000000″ text_font_size=”21px” text_line_height=”1.3em” header_font=”Alegreya||||||||” header_2_font=”Alegreya||||||||” header_2_font_size=”24px” module_alignment=”center” custom_margin=”|0px|||false|false” custom_padding=”|0px||0px|false|true”]<\/p>\n

The late-Victorian little magazines remediated on <\/span>Yellow Nineties 2.0 <\/span><\/i>were designed by their makers to be beautiful printed objects. Contemporary artists, researchers, and students have been inspired by Y90s magazines to create research objects in other media, including artisanal books and textile art. <\/span>
<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.5.3″ _module_preset=”default” background_color=”#fff8ed” width=”60%” width_tablet=”75%” width_phone=”75%” width_last_edited=”on|phone” custom_margin=”20px||20px||false|false” custom_padding=”30px|10px|20px|10px|false|false” animation_style=”fade” hover_transition_duration=”2000ms” hover_transition_delay=”300ms” hover_transition_duration_tablet=”” hover_transition_duration_phone=”” hover_transition_duration_last_edited=”on|desktop” hover_transition_delay_tablet=”” hover_transition_delay_phone=”” hover_transition_delay_last_edited=”on|desktop” border_color_all=”#ffffff” box_shadow_style=”preset2″ box_shadow_spread=”-13px”][et_pb_column type=”3_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Alegreya|500|||||||” text_text_color=”#000000″ text_font_size=”21px” text_line_height=”1.3em” width=”100%” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” custom_margin=”|0px||0px|false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”|10px||20px|false|false” custom_padding_tablet=”|||10px|false|false” custom_padding_phone=”|10px||10px|false|false” custom_padding_last_edited=”on|phone”]<\/p>\n

Elements of Ruskin: A Deformance in Three Acts<\/i><\/b> (2014)<\/b><\/span><\/p>\n

Artist’s Statement<\/em>: Unable to attend the Digital Humanities Summer Institute in Victoria in 2014, book artist and Y90s project manager Reg Beatty conceived a \u201cshort and sweet\u201d project at TMU\u2019s Centre for Digital Humanities, timed to coincide roughly with DHSI, and invited Lorraine Janzen Kooistra to join him in a digital exploration of image and text at the CDH, June 2-6. We started with a selection of text from John Ruskin’s <\/span>The Elements of Drawing in Three Letters to Beginners<\/span><\/i> (1857) as well as images from his digitized teaching collection at the Ashmolean. Then, with Jerome McGann’s notion of deformance firmly in mind, we proceeded to \u201ccombine\u201d the texts and images by means of an algorithmic manipulation, playing with code written by Generative Gestaltung and run through Processing, the open source prototyping software. This allowed us to draw with words\u2014 or perhaps rather, write with pictures. The resulting book. <\/span>Elements of Ruskin: A Deformance in Three Acts,<\/span><\/i> pairs some of these deformations with excerpts from <\/span>The Elements of Drawing<\/span><\/i>.<\/span><\/p>\n

The types are Goudy Sans, designed in 1930 by Frederic Goudy (its own delicate deformation of American Arts and Crafts and commercial publishing desires) and Cabin Sketch by the Argentinian type designer Pablo Impallari (a variant of his humanist sans Cabin but with the “texture of a teenage doodle”). The papers are Moab Entrada Rag Natural, Canson Mi-Teintes endpapers, and glassine wrappers. Two copies of the book were printed with archival inks on an Epson R2880 and bound by hand.<\/span><\/p>\n

<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/cdh.rula.info\/y90s-launch\/wp-content\/uploads\/sites\/10\/2024\/03\/Elements-Cover.jpg” title_text=”Elements Cover” url=”https:\/\/cdh.rula.info\/y90s-launch\/wp-content\/uploads\/sites\/10\/2024\/03\/Elements-Cover.jpg” align=”center” _builder_version=”4.5.3″ _module_preset=”default” width=”100%” width_tablet=”60%” width_phone=”” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”0px|0px|||false|false” custom_padding=”|10px|||false|false” hover_enabled=”0″ border_color_all=”#d6d6d6″ box_shadow_style=”preset1″ box_shadow_spread=”-5px” custom_margin_last_edited=”on|phone”][\/et_pb_image][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Alegreya||||||||” text_font_size=”14px” text_line_height=”1.4em” module_alignment=”center” custom_margin=”|0px|20px||false|false” custom_margin_tablet=”||20px||false|false” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”|10px|||false|false” hover_enabled=”0″]<\/p>\n

The Flipbook<\/a> at Archive.org<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.5.3″ _module_preset=”default” background_color=”#fff8ed” width=”60%” width_tablet=”75%” width_phone=”75%” width_last_edited=”on|phone” custom_margin=”20px||20px||false|false” custom_padding=”30px|10px|20px|10px|false|false” animation_style=”fade” hover_transition_duration=”2000ms” hover_transition_delay=”300ms” hover_transition_duration_tablet=”” hover_transition_duration_phone=”” hover_transition_duration_last_edited=”on|desktop” hover_transition_delay_tablet=”” hover_transition_delay_phone=”” hover_transition_delay_last_edited=”on|desktop” border_color_all=”#ffffff” box_shadow_style=”preset2″ box_shadow_spread=”-13px”][et_pb_column type=”3_5″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” text_font=”Alegreya|500|||||||” text_text_color=”#000000″ text_font_size=”21px” text_line_height=”1.3em” width=”100%” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” custom_margin=”|0px||0px|false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”|10px||20px|false|false” custom_padding_tablet=”|||10px|false|false” custom_padding_phone=”|10px||10px|false|false” custom_padding_last_edited=”on|phone”]<\/p>\n

A Riot of Type <\/i><\/b>(2019)<\/b><\/span><\/p>\n

Artist’s Statement: A Riot of Type <\/span><\/i>was conceived in summer 2019 by book artist and Y90s project manager Reg Beatty as a creative response to encoding the<\/span> Evergreen Digital Edition <\/span><\/i>for <\/span>Yellow Nineties 2.0. <\/span><\/i>He invited three members of the Y90s research team\u2014undergraduate RA Emma Fraschetti, graduate RA Rebecca Martin, and PI Lorraine Janzen Kooistra\u2014to select one of <\/span>The Evergreen\u2019s <\/span><\/i>\u00a0seasonal volumes and perform the following tasks:<\/span><\/p>\n