{"id":4314,"date":"2020-11-09T16:11:38","date_gmt":"2020-11-09T21:11:38","guid":{"rendered":"http:\/\/y90sclassroom.blog.ryerson.ca\/?page_id=4314"},"modified":"2022-03-01T15:21:17","modified_gmt":"2022-03-01T15:21:17","slug":"modernity-and-the-visual-image-and-text-in-little-magazines","status":"publish","type":"page","link":"https:\/\/cdh.rula.info\/y90sclassroom\/exhibitions\/modernity-and-the-visual-image-and-text-in-little-magazines\/","title":{"rendered":"Modernity and the Visual: Image and Text in Little Magazines"},"content":{"rendered":"<p>In this Exhibition, graduate students in the MA in Literatures of Modernity interrogate the complex ways in which modernity was expressed and critiqued in fin-de-si\u00e8cle little magazines through their diverse contributors, experimental literary and artistic contents, material and technological innovations, and editorial agendas.<\/p>\n<figure id=\"attachment_4092\" aria-describedby=\"caption-attachment-4092\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4092\" src=\"https:\/\/cdh.rula.info\/y90sclassroom\/wp-content\/uploads\/sites\/6\/2019\/10\/The-Ballad-of-the-Barber-Angel-1-300x269.jpg\" alt=\"The Savoy\" width=\"300\" height=\"269\" srcset=\"https:\/\/cdh.rula.info\/y90sclassroom\/wp-content\/uploads\/sites\/6\/2019\/10\/The-Ballad-of-the-Barber-Angel-1-300x269.jpg 300w, https:\/\/cdh.rula.info\/y90sclassroom\/wp-content\/uploads\/sites\/6\/2019\/10\/The-Ballad-of-the-Barber-Angel-1.jpg 334w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-4092\" class=\"wp-caption-text\">Aubrey Beardsley tailpiece. <em>The Savoy, <\/em>vol 3, 1896, p. 92. <em>Yellow Nineties 2.0<\/em>. Public Domain.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/cdh.rula.info\/y90sclassroom\/2020\/12\/15\/the-new-woman-and-the-yellow-book-commercializing-the-female-body\/\" rel=\"noopener noreferrer\"><strong>The New Woman and the <em>Yellow Book<\/em>: Commercializing the Female Body<\/strong><\/a><br \/>\n<a href=\"https:\/\/modernityandvisual.blog.ryerson.ca\/contributors\/2020-contributors\/#Samantha\" target=\"_blank\" rel=\"noopener noreferrer\">Samantha Baran<\/a><\/p>\n<p><a href=\"https:\/\/cdh.rula.info\/y90sclassroom\/2020\/12\/21\/utilizing-mysticism-in-deirdre-a-drama-in-three-acts\/\" rel=\"noopener noreferrer\"><strong>Utilizing mysticism in &#8216;Deirdre: A Drama in Three Acts&#8217; in <em>The Green Sheaf<\/em><\/strong><\/a><br \/>\n<a href=\"https:\/\/modernityandvisual.blog.ryerson.ca\/contributors\/2020-contributors\/#Harleigh\" target=\"_blank\" rel=\"noopener noreferrer\">Harleigh Keriazes<\/a><\/p>\n<p><a href=\"https:\/\/cdh.rula.info\/y90sclassroom\/2020\/12\/22\/logic-balance-control-ornament-typography-in-the-dial-and-the-vale-press\/\" rel=\"noopener noreferrer\"><strong>Logic, Balance, Control: Ornament &amp; Typography in <em>The Dial<\/em> and the Vale Press<\/strong><\/a><br \/>\n<a href=\"https:\/\/modernityandvisual.blog.ryerson.ca\/contributors\/2020-contributors\/#Alevtina\" target=\"_blank\" rel=\"noopener noreferrer\">Alevtina Laipy<\/a><\/p>\n<p><a href=\"https:\/\/cdh.rula.info\/y90sclassroom\/2020\/12\/15\/the-yellow-books-decorative-women-critiquing-the-victorian-aesthetic-ideal\/\" rel=\"noopener noreferrer\"><strong>The <em>Yellow Book<\/em>&#8216;s Decorative Women: Critiquing the Victorian Aesthetic Ideal<\/strong><\/a><br \/>\n<a href=\"https:\/\/modernityandvisual.blog.ryerson.ca\/contributors\/2020-contributors\/#Sabrina\" target=\"_blank\" rel=\"noopener noreferrer\">Sabrina Pavelic<\/a><\/p>\n<p><a href=\"https:\/\/cdh.rula.info\/y90sclassroom\/2020\/12\/15\/under-the-hill-and-the-beardsley-editorial-vision\/\" rel=\"noopener noreferrer\"><strong>&#8216;Under the Hill&#8217; and The Beardsley Editorial Vision for <em>The Savoy<\/em><\/strong><\/a><br \/>\n<a href=\"https:\/\/modernityandvisual.blog.ryerson.ca\/contributors\/2020-contributors\/#Rosabel\" target=\"_blank\" rel=\"noopener noreferrer\">Rosabel Smegal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this Exhibition, graduate students in the MA in Literatures of Modernity interrogate the complex ways in which modernity was expressed and critiqued in fin-de-si\u00e8cle little magazines through their diverse contributors, experimental literary and artistic contents, material and technological innovations, and editorial agendas. &nbsp; The New Woman and the Yellow &#8230;<\/p>\n","protected":false},"author":60,"featured_media":4092,"parent":14,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":{"footnotes":""},"class_list":["post-4314","page","type-page","status-publish","has-post-thumbnail","hentry","column","threecol","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/pages\/4314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/comments?post=4314"}],"version-history":[{"count":2,"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/pages\/4314\/revisions"}],"predecessor-version":[{"id":8248,"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/pages\/4314\/revisions\/8248"}],"up":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/pages\/14"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/media\/4092"}],"wp:attachment":[{"href":"https:\/\/cdh.rula.info\/y90sclassroom\/wp-json\/wp\/v2\/media?parent=4314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}