“Under The Hill” and The Beardsley Editorial Vision
© Copyright 2020 Rosabel Smegal, Ryerson University Introduction: Aubrey Beardsley In an 1894 interview for To-Day, Aubrey Beardsley explained that he …
Re-imaging Space and Gender in the Child’s Fairy tale: Ambiguity in Evelyn Sharp’s, “The Restless River”
The Fin de Siècle Fairy-Tale During Britain at the Fin de siècle, fantasy was a genre that began to appropriate the …
Decadence and the Bourgeois: Aubrey Beardsley’s “Under the Hill”
© Copyright 2019 Kassandra Kurek, Ryerson University Aubrey Beardsley andThe Savoy Aubrey Vincent Beardsley (1872-1898) was a young author, editor and artist …
Diversity in Gender via Genre in Vernon Lee’s “Prince Alberic and the Snake Lady”
©2019 Lana Bosnjak, Ryerson University An Introduction to The Yellow Book: an Avante-Garde Quarterly The Yellow Book was published by John Lane …
Charles Ricketts’ Installation of The Editorial Mandate, as Seen Through “The Marred Face,” “The Bridal,” “Ella the She-Bear” and “Snow in Spring”
© Deanna Ratzki, Ryerson University 2019 Little Magazines of the Decadent Movement: A Background During a movement of resistance to …
The Centaur’s Place in The Dial as an Early Engagement of Symbolist Literature
Introduction The Centaur is a French short story formerly written by Maurice de Guérin and then translated into English by Thomas Sturge …
Catholicism and Lack of Decadent Art in Graham’s “The Christ of Toro”
©Marina Arnone, Ryerson University 2018 Introduction Mrs. Cunninghame Graham’s “The Christ of Toro” was published in volume 13 of The Yellow Book …
Spirituality and Sexuality in Laurence Housman’s “The Tale of a Nun”
© Nikita Ruzycky, Ryerson University 2018 Introduction The avant-garde magazine, The Pageant, is filled with prestigious literary, artistic and aesthetic contents that …
Gaelic Revivalism and Colonialism in Fiona Macleod’s “Morag of the Glen”
©Morgan Howey, Ryerson University 2018 Introduction Fiona Macleod’s “Morag of the Glen” in Volume 7 of The Savoy is representative of the …
Defending Cosmetics and Decadence in Max Beerbohm’s “The Happy Hypocrite”
© Copyright 2018 Hannah Johnston, Ryerson University In October 1896, Max Beerbohm’s “The Happy Hypocrite” was published in Volume 11 of …